a study toward sonnet #382 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Screens

She coccooned herself in the mindset
Of being in love, the whole rigmarole
Of infatuation, and it made me sweat,
I wasn't an enormous comfort doll.
To her own informed opinion she'd skoal,
She had the biggest regard for my mind
Into which her own beliefs she'd cajole,
So I was suffused with love and refined.
So my ideas to idiots were assigned,
There was no wiggle room for agile debate,
For my looking glass self I sadly pined,
True love in a kiss he could delegate.
She was counsellor in love beyond belief,
But I found etiquette to be my brief.

She was counsellor in love beyond belief.
She was counsellor in love beyond dogma.
She was counsellor in love beyond faith.

[Proof of concept for interactive movies in the rhyme scheme A flat, B flat, C flat, D flat, E flat. 30/10/04.]

a study toward sonnet #381 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Transistor Screens

She needs to fake it in a push up bra,
I'll gawk as I like at their for instance,
The pair arouse an onerous hurrah,
I'd leer the same way at saline implants.
A club soda and gin handholding grants,
A beer and whiskey chaser scores a kiss,
Two highballs can get me into her pants-
She's quite the prostitute of shouted piss.
If you're a man, you've stumbled on this-
She'll force you to retell her feeble joke
At her on the second date, or reminisce
You're that one in a trillion special bloke.
She got here about twenty minutes late,
Unforgivable for looks less than great.

She got here about twenty minutes late.
She got here about twenty minutes overdue.
She got here about twenty minutes tardy.

[Proof of concept for interactive movies in A flat, B flat, C flat, D flat, E flat. 30/10/04]

a study toward sonnet #380 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Transistor Screens

The argument has left me sad and tired,
I fear a loneliness, and we agree
To disagree as we're hopelessly mired
And at odds in a wilful cap a pie.
She's certain that she knows me to a tee,
Yet hidden agendas are all her own,
Her decisions are selfish, me, me, me,
Her precious self esteem is overblown.
Enduring axioms I've certainly known:
On solely one person you can't depend,
That a moan is harmonised with a groan,
That a beginning is stacked on an end.
And I'll give her a due luxury massage,
Misunderstandings, not lies, the message.

And I'll give her a due luxury massage.
And I'll give her a due luxury knead.
And I'll give her a due luxury rub.

[Proof of concept for interactive movies in the rhyme scheme A flat, B flat, C flat, D flat, E flat. 29/10/04.]

a study toward sonnet #379 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Transistor Screens

Aged fifty one, I got enlarged prostate
And I was made redundant from my job,
It can leave you depressed and postrate,
You can become a listless weeping slob.
At the public bidet I shook my knob,
I thought at first he gently took the piss,
He'd pay me bucks to shoot a creamy blob,
My big balls in porn videos couldn't miss.
I averred my modestly sized penis,
But he hired for benchmark specialty kicks,
I'd do the moneyshot, not poke or kiss,
I'd contribute with stunt cocks and bi chicks.
Above a sexy chick studs make a scrum,
On her tits I'll post a big wad of come.

Above a sexy chick studs make a scrum.
Above a sexy chick studs make a bunch.
Above a sexy chick studs make a cluster.

[Proof of concept for interactive movies in the rhyme scheme A sharp, B sharp, C sharp, D sharp, E sharp. 29/10/04]

a study toward sonnet #378 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Transistor Screens

We're sexy makeups as well as tantrums,
We're assertive, independent, strong willed,
Allergic to tedium, our hectic routine hums,
Our boisterous social life is well drilled.
We're sexually impulsive, always thrilled,
We chitchat one another's ear lobes off,
As seductive and heady we could be billed,
We dazzle our friends, and yet never scoff.
We lend a hand to others in the trough,
It's central to our ideological bonds
And fearful of loneliness we just doff
Inhibitions so that neither absconds.
But the depth of our love none can deduce,
One another we time and again seduce.

But the depth of our love none can deduce.
But the depth of our love none can figure.
But the depth of our love none can suss.

[Proof of concept for interactive movies in the rhyme scheme A sharp, B sharp, C sharp, D sharp, E sharp. 28/10/04]

a study toward sonnet #377 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Transistor Screens

His finger ran up and down my spine,
The discs turned a silent, tingling braille,
He pulled away when I was wet as brine,
As my heart beat rate rocketed up the scale.
I was puzzled, the situation hard to nail,
We'd cultivated lots of commonsense
And anything less than robust and hail
Would just temporarily make us tense.
I felt my eyelids bat at the suspense
As he teasingly clicked open a box,
A diamond ring sat in its velvet fence,
He worried that the bluish coloured rocks
Might offset my forget me not blue eyes,
As tears hung on my eyelids at the prize.

As tears hung on my eyelids at the prize.
As tears hung on my eyelids at the medal.
As tears hung on my eyelids at the trophy.

[Proof of concept for interactive movies in the rhyme scheme A sharp, B sharp, C sharp, D sharp, E sharp. 28/10/04]

In this movie theatre 101 different nationals can sit side by side and hear and react to the movie in their own language and everyone is quite tuned into the semantic through the hexes, the dice of phasing. The security screens at the exits diagnose and cure cancers and kidney stones - this is how deliberate incompatibilty works according to Chapter 11 of Genesis, once the grime and patina of the Christian cargo cult are wiped away.

a study toward sonnet #376 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Transistor Screens

I'm not just looking to settle a score,
I want you to feel equalising distress,
Therefore I point up a misdemeanour,
And hope to basic reason you'll acquiesce.
Your sensibility I second guess
As calculated and nothing humble,
And material status symbols possess
Your chitchat as a prelude to rumble.
Your pitiful qualms instil by grumble,
To quintessential self you self confess,
The piles of love shiver and crumble,
And if it's sabotage, I'd cuss, not bless.
If I'm late now or then you can leave,
To collapse is better than to deceive.

If I'm late now or then, you can leave.
If I'm late now or then, you can depart.
If I'm late now or then, you can depart.

[Proof of concept for interactive movies in the rhyme scheme A flat, B flat, C flat, D flat, E flat. 28/10/04]

a mock up for a FAQ

Q. Do you use black magic?
A. Only occasionally. It looks too much like bad luck to be worth anything as vengeance. There was the gangster found on the back streets of Ponsonby after a war, and three or four other envious fellows who hurt me bad. Let's just say I can make an ambulance sixty seconds early or sixty seconds late.
Q. Do you use white magic?
A. All the time. Black magic is fatalistic whereas white magic is holistic. I was shown the following spell by time lords when I was six years old. It's the code for three dimensional tvs, teleporters and time machines going back to the first Council of Human Language at the tower of Babel about 100, 000 BC. Some people call them hexes, other people call them dice.
abacad ab raj
ebeced eb rex
ubucud ub rul
I'm talking real magic here, not the Christian cargo cult. The printer's alphabet bricks are dipped in petrol, stacked and set alight, so creating printer's ink and movable type. That is the true meaning of the tower of Babel.

a study toward sonnnet #367 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Transistor Screens

I tabbed into the unfortunate hunch
That she didn't hanker after my man,
She just wanted my life, or to crunch
Me down flat as a kooky-kola can.
I spied on them canoodling in his van,
I nearly shuddered aloud in their shade;
I turned into a mess and I looked wan
And listless, my appetite was waylaid.
In a drunken stupor and yet dismayed,
I dreamed up for myself a six foot hunk-
Against such sly minxes he inveighed,
For such a ladykiller I did a bunk.
From his hazel eyes I took a sweet hint,
I loved his natural or lightbulb glint.

From his hazel eyes I took a sweet hint.
From his hazel eyes I took a sweet inkling.
From his hazel eyes I took a sweet tip.

[Proof of concept for interactive movies in the rhyme scheme A flat, B flat, C flat, D flat, E flat. 27/10/04.]

a study toward sonnet #373 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Transistor Screens

I pondered my marriage versus divorce,
If I could do something to make it work,
We were stubborn, shouting hoarse,
And vying for attention as if beserk.
Unsolicited mutual advice would irk,
As would an occasional flagrant flirt,
And in overbearing critiques would lurk
A spoilt, loud crybaby, ever alert.
We would feed each other fearful dirt
And mantra us losing what we've got,
And lately we've become resentful curt
In our moods and oversensitive hot.
As I'm pressured, I pile on guilt trips,
And as she does, too, imbalance tips.

As I'm pressured, I pile on guilt trips.
As I'm pressured, I pile on guilt escapades.
As I'm pressured, I pile on guilt journeys.

[Proof of concept for interactive movies in the rhyme scheme A sharp, B sharp, C sharp, D sharp, E sharp 26/10/04]

a study toward sonnet #372 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Transistor Screens

[The characters in the following sonnet are imaginary and any passing resemblance to either persons living or dead is purely coincidental.]

I'm getting my pendulous breasts reduced
So as to get a few things off my chest,
I think it's about time you were seduced
Into my first and last suckle fest.
I've not been immune to your blatant jest,
Your crude comments were a peculiar thrill,
My saucerlike aureoles harden and crest,
Go on, in my cleavage lap to your fill.
My shoulder blades ache and bra straps kill,
I've got fungus infections in a fold,
But go on, you runt, on my paps dry swill,
This momentous day I won't bitch or scold.
Our love flits transient as adult mayflies,
Farewell forever now we say byebyes.

Farewell forever now we say byebyes.
Farewell forever now we say adieus.
Farewell forever now we say tatas.

[Proof of concept for interactive movies in the rhyme scheme A flat, B flat, C flat, D flat, E flat. 26/10/04. It goes almost without saying that I own the ip for the relatively easier sonnet rhyme scheme A flat, B flat, C flat, D flat, E flat, F flat, G flat.]

a study toward sonnet #374 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Transistor Screens

In love we were complete, together bold,
And steady, faithful for years, a spark
Of passionate heat in a bedsheet fold,
Till I rolled away from him in the dark.
Now I'm a platonic friend, it's a lark
To be lucidly envious of this girl,
To visit them both as counsel and nark,
So unsure how dynamics will unfurl.
When memories so pleasantly swirl,
It's frequently of a kiss or a hug,
But his presence makes me want to hurl
At him a platter or a coffee mug.
As slow and sure as continental drift
Insinuated boredom itself as a rift.

As slow and sure as continental drift.
As slow and sure as continental bearing.
As slow and sure as continental wander.

[Proof of concept for interactive movies in the rhyme scheme A sharp, B sharp, C sharp, D sharp, E sharp. 25/10/04.]

a study toward sonnet #374 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Transistor Screens

In love we were complete, together bold,
And steady, faithful for years, a spark
Of passionate heat in a bedsheet fold,
Till I rolled away from him in the dark.
Now I'm a platonic friend, it's a lark
To be lucidly envious of this girl,
To visit them both as counsel and nark,
So unsure how dynamics will unfurl.
When memories so pleasantly swirl,
It's frequently of a kiss or a hug,
But his presence makes me want to hurl
At him a platter or a coffee mug.
As slow and sure as continental drift
Insinuated boredom itself as a rift.

As slow and sure as continental drift.
As slow and sure as continental bearing.
As slow and sure as continental wander.

[Proof of concept for interactive movies in the rhyme scheme A sharp, B sharp, C sharp, D sharp, E sharp. 25/10/04.]

a study towards sonnet #375 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Transistor Screens

With loving persistence I'd tamed the brute,
He'd softened from so arrogant to brash,
In a short while he was abrasive cute,
I could've pledged love to him in a flash.
His insolent eyes recalled our first pash,
A spare, opportune second of lips on lips,
I played face value disposable rash,
I slinked away from his demanding grips.
My solid love wore him down at the hips,
He baffled from harangues to growls,
From overblown sneers to subtle pips,
From furious rampages to impatient prowls.
You could call me a human punching bag,
His outsize training gloves were full of rag.

You could call me a human punching bag.
You could call me a human punching kit.
You could call me a human punching sack.

[Proof of concept for interactive movies in the rhyme sheme A flat, B flat, C flat, D flat, E flat. 25/10/04]

The archetype disposable mob phone number is: KKK QQQ JJJ KQJ
The mob phone itself is a folding plastic transistor screen with a solar panel on the back and shaped like a leaf.

a study toward sonnet #371 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Transistor Screens

I love you because you're so easygoing,
You're openminded, out for a good time,
You're generous up to overflowing,
You're lady treatment delicious sublime.
Quiet nights or wining and dining are prime,
You're a gas and financially secure;
And your own characteristics here chime:
You're bubbling Rubenesque beauty allure,
You're slow love affair which will endure,
You're brilliant cuddles or improvised dash,
You're jest on a professor's sincecure,
I love you as you're a cook with panache.
I was dreadfully lonely sometimes, too,
I wish on all singletons, now, we two.

I was dreadfully lonely sometimes, too.
I was dreadfully lonely sometimes, also.
I was dreadfully lonely sometimes, ditto.

[Proof of concept for interactive movies in the rhyme scheme A sharp, B sharp, C sharp, D sharp, E sharp. 24/10/04]

a study toward sonnet # 370 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Transistor Screens.

The judge wore a lovely white curly wig,
And a pleated cotton black maxi dress,
As drag queens go, the bench is the gig,
But burglary has moments nonetheless.
Before the sex change op I was a mess,
I was a girl in a boy trapped and in jail,
My catalogue of theft went into recess,
I dug up a stash to make eighty grand bail.
A doctor in Singapore cut me a shemale,
The judge would besot at my new mugshot,
So my lawyer worked the compo pay scale,
Cruel solitary confinement our grot.
He pleaded the cross dressing judge recuse,
And mince for a week in my ballet shoes.

He pleaded the cross dressing judge recuse.
He pleaded the cross dressing judge decline.
He pleaded the cross dressing judge quit.

[Proof of concept for interactive movies in the rhyme scheme A flat, B flat, C flat, D flat, E flat. 24/10/04]

a study towards sonnet #370 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Transistor Screens

The judge wore a lovely white curly wig,
And a pleated cotton black maxi dress,
As drag queens go, the bench is the gig,
But burglary has its moments, nonetheless.
Before the sex change op I was a mess,
I was a girl-in-a-boy trapped and in jail,
My catalogue of theft went into recess,
I dug up a stash to make eighty grand bail.
A doctor in Singapore cut me shemale,
The judge would besot at my new mugshot,
So my lawyer worked the compo pay scale,
Cruel solitary confinement out grot.
He bid the cross dressing judge recuse,
And mince for a week in my ballet shoes.

He bid the cross dressing judge recuse.
He bid the cross dressing judge decline.
He bid the cross dressing judge quit.

[Proof of concept for interactive movies in the rhyme scheme A sharp, B sharp, C sharp, D sharp, E sharp. 24/10/04 ]

a study toward sonnet #369 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Screens

I loved him so! I pulled my eyes away,
I was intuitive much more than vain,
I felt his gaze loll on my cleavage sway,
But he was the only fellow on my brain.
He crested and dipped between disdain
And overjoy, he'd kiss me hard or deft
On the lips, or his palm on my ribs train
And tease no further to leave me bereft.
He'd lean and loll a bar stool right or left,
Which under us he'd cavalierly whisk,
Across his boney knee my bum he'd heft,
A jaunty third leg being a pleasing risk.
As from my forehead he caressed a bang
My palpitating heart felt the yin and yang.

As from my forehead he caressed a bang.
As from my forehead he caressed a lock.
As from my forehead he caressed a tress.

[Proof of concept for interactive movies in the rhyme scheme A sharp, B sharp, C sharp, D sharp, E sharp. 23/10/04]

a study toward sonnet #368 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Transistor Screens

You're dedicated, aware, awfully bright,
You love animals near as much as kids,
You're sagacious in sorting wrong from right,
You overachieve often but don't skite.
When I imploded and fell from a height
In ruinous finances, you lent me an ear,
You got me past the fraudsters sleight,
Into the black by the end of the year.
I learnt how arbitrage and margin calls sear,
I'm not the gauche moron I used to be.
And the love hit me as redemptive cheer,
Somehow I collapsed into you and me.
I put faith in your correcting algebra,
For now at least our love is mardi gras.

I put faith in your correcting algebra.
I put faith in your correcting geometry.
I put faith in your correcting probability.

[Proof of concept for interactive movies in the rhyme scheme A flat, B flat, C flat, D flat, E flat. 23/10/04]

a study toward sonnet #366 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Transistor Screens

The gold letters were chic and minimal
On window panes of Petite Choux et Scion,
Irridescent sheen and subliminal
Were dummy culottes to keep an eye on.
Madam was a latter day Pygmalion,
Her short piccolo jacket was pinstriped,
Me mannequin she entreated to don
Again so understated and not hyped.
Against the twill ruche bustier I griped
For being too tight - I saw a passerby
Look in, by his lovely face I was swiped,
I reflected - he was not looking to buy.
Love happens at first sight by surprise,
We can only superimpose and surmise.

Love happens at first sight by surprise.
Love happens at first sight by amazement.
Love happens at first sight by wonder.

[Proof of concept for interactive movies in the rhyme scheme A flat, B flat, C flat, D flat, E flat. 23/10/04]