tripod selfie playing card

tripod selfie playing card
tripod selfie playing card

3d $flipbook

3d $flipbook
4K money application

touchie card

touchie card
key to the celestial city

interactive movies

Friday, November 05, 2004

a study toward sonnet #391 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Transistor Screens

My perfect love life lurches often dire,
Her definition of love doesn't mean
What I believe - she'll intensely admire
And cherish, or else vent her spleen.
I'd colour myself never-was has-been,
According to her eyes we have symbiosis
And to everlasting love somewhat lean,
She doesn't suss my internal crisis.
So does she know what my true bias is?
Or my paltry dreams, anxieties and hopes?
My fear of rejection creates a stasis
Or worse - I could lose myself in her tropes.
I assert no perfect partner out there,
But she mulls otherwise, I mutely swear.

(Chorus)
But she mulls otherwise, I mutely swear.
But she mulls otherwise, I mutely attest.
But she mulls otherwise, I mutely vow.

[Proof of concept for interactive movies in the rhyme scheme A sharp, B sharp, C sharp, D sharp, E sharp. 4/11/04]

Thursday, November 04, 2004

a study toward sonnet #390 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Transistor Screens

I stopped trusting my intuitive impulse,
I worried more about my protean looks
Which under neon light could convulse,
My libido was in limbo for spooks.
We were apprehensive and mulling sooks
Defensive in guilt in a troubling patch,
And we took solace in hobbies and books,
Enforcing perfect peace and perfect match.
And soon a new insight began to hatch,
As he bounced about my jelly backside,
As he stroked my cellulite and bushy snatch-
He was dismissive and yet never snide.
I strongly believe that love conquers all.
The tedium at the eye, or total squall.

I strongly believe that love conquers all.
I strongly believe that love conquers entire.
I strongly believe that love conquers whole.

[Proof of concept for interactive movies in the rhyme scheme A sharp, B sharp, C sharp, D sharp, E sharp. 3/11/04]
a study toward sonnet #389 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Transistor Screens

For plenty of people she's lots of time,
And when a troublemaker picks a fight
She holds back from exacting vengeful crime,
She's often the target of jealous spite.
She throws wobblies with a terrible might
But once in a blue moon, and what to make
Of that I haven't a clue; and she's bright,
As she won't argue for argument's sake.
I'd like to help her in her struggle or ache,
I've figured she's a sexy glamour girl,
Who's bold one moment, whom doubts rake
One second, who's never ever the churl.
Into her hypnotic turbulence I fell,
The sentiment of love I wouldn't dispel.

Into her hypnotic turbulence I fell.
Into her hypnotic turbulence I dropped.
Into her hypnotic turbulence I lapsed.

[Proof of concept for interactive movies in the rhyme scheme A flat, B flat, C flat, D flat, E flat. 3/11/04]

Wednesday, November 03, 2004

a study toward sonnet #388 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Transistor Screens

An eye keep on that dextrous, placid chick
Who's seemingly uptight on second glance,
Among friends she's restless analytic,
She formulates all and sundry askance.
If you pass her introspection perchance
To astute and poignant things she says,
You come across her idealistic stance,
A bellow or a snort are alien to her ways.
You'll find her perplexing although you gaze
So closely into her eyes, you'll then squirm,
She's cold, cold, but as warm she's a blaze;
In the genome she's an angel, you a worm.
Though your genes are a razor cut apart,
She can give you love in dynamic art.

Though your genes are a razor cut apart.
Though your genes are a razor cut discrete.
Though your genes are a razor cut separate.

[Proof of concept for interactive movies in the rhyme scheme A sharp, B sharp, C sharp, D sharp, E sharp. 2/11/04]
a study toward sonnet #387 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Transistor Screens

My skin sizzled over muscles taut,
All my nerve tips were zinging bullseye hit
As arcing flaming arrows, as he sought
My wishbone and fingered round my clit.
Our pumping he'd slow down rather than quit,
I could count on him not to blow his wad,
He pecked and rolled the areole of a tit,
I turned to ripples as he churned my pod.
My pod squeezed and released his sturdy rod
Forever, it seemed, as he teased the pace,
As he came his grimacing head shook a nod
And adrenalin bursts made my heart race.
That's just how it is with us: either lax
And mutual in smiles, or frowning climax.

That's just how it is with us: either lax.
That's just how it is with us: either drooping.
That's just how it is with us: either slack.

[Proof of concept for interactive movies in the rhyme scheme A flat, B flat, C flat, D flat, E flat.3/11/04]

Tuesday, November 02, 2004

a study toward sonnet #386 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Screens

You have my sympathy, you fit by nous,
I've got some liberal advice for you
On your wan half life in a halfway house,
In your stifling outhouse or port-a-loo.
If you really love her, give a genuine clue,
She's bleeding on the rag, and so high strung,
She feels icky bad inside, and bloated, too,
So on her backside your pelvis is slung.
Your glans by her labia is overhung-
As you groove at her, her thighs quiver tight,
The week her bloody nice pussy is bung,
You didn't penetrate her, it's no slight.
A gentleman such as you jiggles cheats,
You bring her off on red shot silk sheets.

A gentleman such as you jiggles cheats.
A gentleman such as you jiggles dupes.
A gentleman such as you jiggles gammons.

[Proof of concept for interactive movies in the rhyme scheme A flat, B flat, C flat, D flat, E flat. 1/11/04]
a study toward sonnet #385 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Transistor Screens

I rubbed and licked behind her tender ears,
Her beestung lips parted and mutely gasped,
I stroked her soft breasts in loops, arcs and flares,
I felt her goosebumps on me as she clasped.
The words yes, yes, yes, into my ear she rasped,
Her deep eyes dilated from brown to black,
Her breasts again I rolled, moulded, and grasped
Her body was flushed pink and yielding slack,
Her areoles darkened, an enchanting knack
And I raised them with a long, rounding lick,
I kissed her shoulder blades and small of back,
Her violet panties were shiney and slick.
She lucked into my tongue on her wishbone,
Around her clitoris fenced her groan.

Around her clitoris fenced her groan.
Around her clitoris fenced her lament.
Around her clitoris fenced her whine.

[Proof of concept for interactive movies in the rhyme scheme A sharp, B sharp, C sharp, D sharp, E sharp.
1/11/04]

Monday, November 01, 2004

a study toward sonnet #384 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Transistor Screens

Where she was lax and didn't believe,
I was exerting a massive effort,
It's nothing serious over which to grieve
I'm happy to itemise and report.
She'd hog the en suite bathroom like a fort,
Her lovely but dull parents I'd endure,
My own were the ashes in vases sort.
Her white toy dog ankle nipped to injure,
Her gift for giving me head was a lure,
I couldn't criticise her speedy blow,
But the aftermath was an open sewer,
I'd only kiss her forehead, then, just so.
And cunnilingus is a marathon,
It stops me getting a decent hard on.

It stops me getting a decent hard on.
It stops me getting a decent erection.
It stops me getting a decent stiffy.

[Proof of concept for interactive movies in the rhyme scheme A flat, B flat, C flat, D lat, E flat. 31/10/04]
a study toward sonnet #383 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Transistor Screens

I grit my teeth and checked the shaggy pile
For any surfaces my yellow slingbacks
Might catch on or stab at, and all the while
A jungle cat he padded tight looped tracks.
He wore a safari jacket and bootcut slacks,
A scarf, a stetson, dingo cuban heels,
I wondered if he could ever relax,
I watched for more signs the body reveals.
I don't see such playboys as red hot deals,
This wasn't my first organised blind date,
But flattery to my heart always appeals,
And expert hands are a good skin deep trait.
I was between boyfriends at a fire sale;
It was a hunt for a non-husband male.

I was between boyfriends at a fire sale.
I was between boyfriends at a fire flog.
I was between boyfriends at a fire hawk.

[Proof of concept for interactive movies in the rhyme scheme A flat, B flat, C flat, D flat, E flat. 31/10/04]

Sunday, October 31, 2004

a study toward sonnet #382 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Screens

She coccooned herself in the mindset
Of being in love, the whole rigmarole
Of infatuation, and it made me sweat,
I wasn't an enormous comfort doll.
To her own informed opinion she'd skoal,
She had the biggest regard for my mind
Into which her own beliefs she'd cajole,
So I was suffused with love and refined.
So my ideas to idiots were assigned,
There was no wiggle room for agile debate,
For my looking glass self I sadly pined,
True love in a kiss he could delegate.
She was counsellor in love beyond belief,
But I found etiquette to be my brief.

She was counsellor in love beyond belief.
She was counsellor in love beyond dogma.
She was counsellor in love beyond faith.

[Proof of concept for interactive movies in the rhyme scheme A flat, B flat, C flat, D flat, E flat. 30/10/04.]

a study toward sonnet #381 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Transistor Screens

She needs to fake it in a push up bra,
I'll gawk as I like at their for instance,
The pair arouse an onerous hurrah,
I'd leer the same way at saline implants.
A club soda and gin handholding grants,
A beer and whiskey chaser scores a kiss,
Two highballs can get me into her pants-
She's quite the prostitute of shouted piss.
If you're a man, you've stumbled on this-
She'll force you to retell her feeble joke
At her on the second date, or reminisce
You're that one in a trillion special bloke.
She got here about twenty minutes late,
Unforgivable for looks less than great.

She got here about twenty minutes late.
She got here about twenty minutes overdue.
She got here about twenty minutes tardy.

[Proof of concept for interactive movies in A flat, B flat, C flat, D flat, E flat. 30/10/04]



Saturday, October 30, 2004

a study toward sonnet #380 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Transistor Screens

The argument has left me sad and tired,
I fear a loneliness, and we agree
To disagree as we're hopelessly mired
And at odds in a wilful cap a pie.
She's certain that she knows me to a tee,
Yet hidden agendas are all her own,
Her decisions are selfish, me, me, me,
Her precious self esteem is overblown.
Enduring axioms I've certainly known:
On solely one person you can't depend,
That a moan is harmonised with a groan,
That a beginning is stacked on an end.
And I'll give her a due luxury massage,
Misunderstandings, not lies, the message.

And I'll give her a due luxury massage.
And I'll give her a due luxury knead.
And I'll give her a due luxury rub.

[Proof of concept for interactive movies in the rhyme scheme A flat, B flat, C flat, D flat, E flat. 29/10/04.]
a study toward sonnet #379 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Transistor Screens

Aged fifty one, I got enlarged prostate
And I was made redundant from my job,
It can leave you depressed and postrate,
You can become a listless weeping slob.
At the public bidet I shook my knob,
I thought at first he gently took the piss,
He'd pay me bucks to shoot a creamy blob,
My big balls in porn videos couldn't miss.
I averred my modestly sized penis,
But he hired for benchmark specialty kicks,
I'd do the moneyshot, not poke or kiss,
I'd contribute with stunt cocks and bi chicks.
Above a sexy chick studs make a scrum,
On her tits I'll post a big wad of come.

Above a sexy chick studs make a scrum.
Above a sexy chick studs make a bunch.
Above a sexy chick studs make a cluster.

[Proof of concept for interactive movies in the rhyme scheme A sharp, B sharp, C sharp, D sharp, E sharp. 29/10/04]

Friday, October 29, 2004

a study toward sonnet #378 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Transistor Screens

We're sexy makeups as well as tantrums,
We're assertive, independent, strong willed,
Allergic to tedium, our hectic routine hums,
Our boisterous social life is well drilled.
We're sexually impulsive, always thrilled,
We chitchat one another's ear lobes off,
As seductive and heady we could be billed,
We dazzle our friends, and yet never scoff.
We lend a hand to others in the trough,
It's central to our ideological bonds
And fearful of loneliness we just doff
Inhibitions so that neither absconds.
But the depth of our love none can deduce,
One another we time and again seduce.

But the depth of our love none can deduce.
But the depth of our love none can figure.
But the depth of our love none can suss.

[Proof of concept for interactive movies in the rhyme scheme A sharp, B sharp, C sharp, D sharp, E sharp. 28/10/04]
a study toward sonnet #377 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Transistor Screens

His finger ran up and down my spine,
The discs turned a silent, tingling braille,
He pulled away when I was wet as brine,
As my heart beat rate rocketed up the scale.
I was puzzled, the situation hard to nail,
We'd cultivated lots of commonsense
And anything less than robust and hail
Would just temporarily make us tense.
I felt my eyelids bat at the suspense
As he teasingly clicked open a box,
A diamond ring sat in its velvet fence,
He worried that the bluish coloured rocks
Might offset my forget me not blue eyes,
As tears hung on my eyelids at the prize.

As tears hung on my eyelids at the prize.
As tears hung on my eyelids at the medal.
As tears hung on my eyelids at the trophy.

[Proof of concept for interactive movies in the rhyme scheme A sharp, B sharp, C sharp, D sharp, E sharp. 28/10/04]

In this movie theatre 101 different nationals can sit side by side and hear and react to the movie in their own language and everyone is quite tuned into the semantic through the hexes, the dice of phasing. The security screens at the exits diagnose and cure cancers and kidney stones - this is how deliberate incompatibilty works according to Chapter 11 of Genesis, once the grime and patina of the Christian cargo cult are wiped away.

Thursday, October 28, 2004

a study toward sonnet #376 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Transistor Screens

I'm not just looking to settle a score,
I want you to feel equalising distress,
Therefore I point up a misdemeanour,
And hope to basic reason you'll acquiesce.
Your sensibility I second guess
As calculated and nothing humble,
And material status symbols possess
Your chitchat as a prelude to rumble.
Your pitiful qualms instil by grumble,
To quintessential self you self confess,
The piles of love shiver and crumble,
And if it's sabotage, I'd cuss, not bless.
If I'm late now or then you can leave,
To collapse is better than to deceive.

If I'm late now or then, you can leave.
If I'm late now or then, you can depart.
If I'm late now or then, you can depart.

[Proof of concept for interactive movies in the rhyme scheme A flat, B flat, C flat, D flat, E flat. 28/10/04]
a mock up for a FAQ

Q. Do you use black magic?
A. Only occasionally. It looks too much like bad luck to be worth anything as vengeance. There was the gangster found on the back streets of Ponsonby after a war, and three or four other envious fellows who hurt me bad. Let's just say I can make an ambulance sixty seconds early or sixty seconds late.
Q. Do you use white magic?
A. All the time. Black magic is fatalistic whereas white magic is holistic. I was shown the following spell by time lords when I was six years old. It's the code for three dimensional tvs, teleporters and time machines going back to the first Council of Human Language at the tower of Babel about 100, 000 BC. Some people call them hexes, other people call them dice.
abacad ab raj
ebeced eb rex
ubucud ub rul
I'm talking real magic here, not the Christian cargo cult. The printer's alphabet bricks are dipped in petrol, stacked and set alight, so creating printer's ink and movable type. That is the true meaning of the tower of Babel.
a study toward sonnnet #367 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Transistor Screens

I tabbed into the unfortunate hunch
That she didn't hanker after my man,
She just wanted my life, or to crunch
Me down flat as a kooky-kola can.
I spied on them canoodling in his van,
I nearly shuddered aloud in their shade;
I turned into a mess and I looked wan
And listless, my appetite was waylaid.
In a drunken stupor and yet dismayed,
I dreamed up for myself a six foot hunk-
Against such sly minxes he inveighed,
For such a ladykiller I did a bunk.
From his hazel eyes I took a sweet hint,
I loved his natural or lightbulb glint.

From his hazel eyes I took a sweet hint.
From his hazel eyes I took a sweet inkling.
From his hazel eyes I took a sweet tip.

[Proof of concept for interactive movies in the rhyme scheme A flat, B flat, C flat, D flat, E flat. 27/10/04.]


Wednesday, October 27, 2004

a study toward sonnet #373 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Transistor Screens

I pondered my marriage versus divorce,
If I could do something to make it work,
We were stubborn, shouting hoarse,
And vying for attention as if beserk.
Unsolicited mutual advice would irk,
As would an occasional flagrant flirt,
And in overbearing critiques would lurk
A spoilt, loud crybaby, ever alert.
We would feed each other fearful dirt
And mantra us losing what we've got,
And lately we've become resentful curt
In our moods and oversensitive hot.
As I'm pressured, I pile on guilt trips,
And as she does, too, imbalance tips.

As I'm pressured, I pile on guilt trips.
As I'm pressured, I pile on guilt escapades.
As I'm pressured, I pile on guilt journeys.

[Proof of concept for interactive movies in the rhyme scheme A sharp, B sharp, C sharp, D sharp, E sharp 26/10/04]


a study toward sonnet #372 by FisherKingKQJ
intellectual property of Letica Interactive Movies and Plastic Transistor Screens

[The characters in the following sonnet are imaginary and any passing resemblance to either persons living or dead is purely coincidental.]

I'm getting my pendulous breasts reduced
So as to get a few things off my chest,
I think it's about time you were seduced
Into my first and last suckle fest.
I've not been immune to your blatant jest,
Your crude comments were a peculiar thrill,
My saucerlike aureoles harden and crest,
Go on, in my cleavage lap to your fill.
My shoulder blades ache and bra straps kill,
I've got fungus infections in a fold,
But go on, you runt, on my paps dry swill,
This momentous day I won't bitch or scold.
Our love flits transient as adult mayflies,
Farewell forever now we say byebyes.

Farewell forever now we say byebyes.
Farewell forever now we say adieus.
Farewell forever now we say tatas.

[Proof of concept for interactive movies in the rhyme scheme A flat, B flat, C flat, D flat, E flat. 26/10/04. It goes almost without saying that I own the ip for the relatively easier sonnet rhyme scheme A flat, B flat, C flat, D flat, E flat, F flat, G flat.]